World Book Night 2012: sign up to be a book giver

http://www.worldbooknight.org/

Chaotically managed and a rubbish website, but it's worth signing up to become a book giver.  25 titles to choose from this year, including Pride & Prejudice, Rebecca and A Tale of Two Cities.

Christmas TV Childrens' Classics

There are one or two children's classics on TV this Christmas to slump in front of (or in front of which to slump?).  The biggest blockbusting headliner is "The Borrowers" with Victoria Wood and Stephen Fry on BBC1, Boxing Day at 7.30 pm.  I thought I'd select a few to add to the list of things to worry about.

Wednesday 21 December
Goodbye Mr Chips: 17.00, ITV3 (film)

Thursday 22 December
Christmas Carol The Movie: Film 4, 11.00 (animated film)
The Princess Diaries: Channel 4, 13.45 (film)

Friday 23 December
Pinocchio (not the Disney one): BBC2, 09.20

Saturday 24 December
Charlotte's Web: Channel 4, 10.10
A Christmas Carol: ITV 3, 14.35
Scrooge: Channel 5, 17.05 (yes, the one with Alistair Sim)
The Chronicles of Narnia: LW&W: BBC1, 17.50
The Spiderwick Chronicles: Film 4, 19.00

Christmas Day
The Borrowers (not the big  BBC one): ITV, 07.25
James and the Giant Peach: Channel 5, 08.30
The Sword in the Stone: BBC2, 10.50 (Disney)
Gulliver's Travels: Film 4, 11.10 am

Boxing Day
Heidi: BBC2, 09.55
Harry Potter and the Chamber of Secrets: ITV1, 1530
The Borrowers: BBC1, 19.30

December 2011: Susan Coolidge's "What Katy Did" and our next book

We decided it was time to cross the Atlantic and dip into some late 19th century domestic fiction for girls, so this month was all about Katy and What She Did.  Susan Coolidge (Sarah Woolsey, 1835-1905) established herself as an author by writing semi-biographical and charming but morally didactic stories about the six middle-class children of Dr Carr, whose motherless household is managed by stern but well-meaning Aunt Izzie.

Most of us remembered reading What Katy Did (1872) as children and we were delighted to get the chance to read it again with adult eyes.  It proved to be an interesting experience second time around - almost too much for some who were overwhelmed by the sugary story with its moralising underpinnings and had to resort to skim reading.  However, we all pushed on through the rather dull opening pages with their references to John Bunyan's The Pilgrim's Progress to rediscover a humorous book with many well-drawn and closely-observed characters and events.

We talked about the frequent appearances of heroic bed-ridden invalids in Victorian children's fiction: Coolidge's Katy and her too-good-to-be-true cousin Helen; Dick in Louisa M Alcott's Little Men (1871); Clara in Johanna Spyri's Heidi (1872); Colin in Frances Hodgson Burnett's The Secret Garden (1911); Pollyanna in Eleanor Porter's Pollyanna (1911) and Tiny Tim in Charles Dickens' A Christmas Carol (1843) being just a few examples.  Several of us recalled bed-ridden Marianne in Catherine Storr's powerful and eerie classic, Marianne Dreams (1964).  We discussed the recurring theme in which an undisciplined and headstrong character - frequently a tomboyish or non-conformist girl - suffers an injury directly as a result of their own disobedience, and learns discipline through long-term suffering and immobility.  Cousin Helen, permanently disabled, tells injured Katy that she must study in God's "School of Pain" to learn lessons in "Patience" and "Making the Best of Things" and so become the "Heart of the House".  See The Treatment of Disability in 19th and Early 20th Century Children's Literature by Ann Dowker of the Department of Experimental Psychology, University of Oxford at http://dsq-sds.org/article/view/843/1018

We reviewed too Susan Coolidge's own life and circumstances and talked about the influence of Louisa M Alcott (Little Women etc) on Coolidge's writing direction and style, and the fact that both these authors remained unmarried - resonating with Virginia Woolf's thoughts about the consequences for writers of marriage and domestic duties in her essay "A Room of One's Own" (1929).

What Katy Did and What Katy Did At School are often credited with sparking abiding interest in writing school fiction for girls.  Next month (11 January 2012) we are back on this side of the Atlantic to explore this genre with First Term at Malory Towers by Enid Blyton (1946).  It's a quick read, so a suggestion for a companion book is Beswitched by Kate Saunders (2010) which combines the story of Flora Fox at a girl's boarding school with magic spells and time travel.

November 2011: Robert Louis Stephenson's "Treasure Island" and our next book

Avast be'ind, mateys!  October was all about pirates.  We sailed on the Hispaniola from Bristol to the Caribbean with Jim Hawkins, hid in an apple barrel, defeated a mutiny, disposed of Israel Hands, discovered Captain Flint's treasure - and got safely back from the eighteenth century to Bath Library in time to discuss Robert Louis Stephenson's Treasure Island at our November meeting.  And no, we didn't talk like pirates ... much!

First serialised in 1881-2 and then published as a book in 1883, Treasure Island established the gold standard for pirate stories ever since, so there was much for us to talk about: the - often impenetrable - technical details of knots and rigging; the characterisations of the heroes and villains; the nature of leadership; the serial style of the book with its cliffhangers and short chapters; Long John Silver's longevity as a fictional icon; and the moral ambiguity and complexity of this most manipulative and yet most enduring of characters.

But does Treasure Island still appeal?  The answer seems to be a resounding "yes" - with some reservations.  Despite the occasional nautical language, it was variously described as gripping and easy to read, with atmospheric opening chapters and some truly terrifying characters - particularly Pew (who we learned is never actually called "Blind Pew" in the book).  However, there is an imbalance between Stephenson's multi-dimensional, often complex characterisations of the "baddies/pirates" versus his more one-dimensional and ultimately less interesting "goodies/gentlemen".  It is possible to believe in and be both terrified by and attracted to Silver ... as Jim was.  He has the qualities of a leader and the flaws of a man.  Squire Trelawney on the other hand has little depth as a character and less for the reader to care about or relate to in consequence.

Believed to be the first story book to deliberately target both adults and children, creating the "cross-over" genre exploited most recently by J K Rowling's Harry Potter series, Treasure Island is still borrowed from libraries by all age groups.  It has been reproduced in a wide range of formats, from film to audio, from cartoon books to Ladybird children's versions, and as a result the story is extremely accessible to a wide range of readers, listeners and watchers. 

As a group, our "memorable moments" were wide-ranging, demonstrating the book's breadth, depth and appeal.  From the skeleton arranged to point towards Flint's treasure, to Ben Gunn ("many's the long night I've dreamed of cheese - toasted, mostly"), to Jim's mortal combat with Israel Hands on the deserted Hispaniola, to Pew blindly tapping his way towards Billy Bones at the Admiral Benbow ... and many more.

Treasure Island has established an enduring legacy.  From established and familiar catch phrases like "Them that die'll be the lucky ones", or "Toasted mostly", or "Yo ho ho and a bottle of rum" through to how we think about pirates and parrots and treasure maps where X marks the spot ... and NEVER forget the Black Spot!

Next month's book is What Katy Did by Susan Coolidge.  What a contrast that will be!

Galaxy Book Awards 2011 Shortlist - Children's Book of the Year

The winners of the Galaxy Book Awards 2011 will be announced on Friday 4 November.  This year's Children's Book of the Year shortlist has a familiar look to it (see previous blogs on other 2011 awards):

• A Monster Calls by Patrick Ness

• Dead Man’s Cove by Lauren St John

• My Sister Lives on the Mantelpiece by Annabel Pitcher

• One Dog and His Boy by Eva Ibbotson 

• Stuck by Oliver Jeffers

• The Highway Rat by Julia Donaldson, illustrated by Axel Scheffler

Rudyard Kipling: inspiration for Rosemary Sutcliff's Eagle of the Ninth?

At our last meeting Isobel spoke about Rosemary Sutcliff's admiration for Rudyard Kipling.  Hannah remembered her mother having a book of Kipling's poems in which one of her favourites was "The Roman Centurion's Song" - first published in 1911 in a pamphlet called Three Poems, and immediately afterwards in A School History of England.  She wonders if this was one of Sutcliff's inspirations for The Eagle of the Ninth?  See what you think. The Roman Centurion's Song Roman Occupation of Britain, A.D. 300

LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine an olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!

October 2011: Rosemary Sutcliff's "The Eagle of the Ninth" and our next book

The group tackled Rosemary Sutcliff's The Eagle of the Ninth today: sadly Waitrose was right out of mulsum and dormice so we had to make do with coffee and mini Bakewells, but what an interesting discussion we had, with plenty of historical and social context.

In the book’s Foreword, Sutcliff wrote that she created the story from two elements: the disappearance of the Ninth Legion (Hispana) from the historical record following an expedition north to deal with Caledonian tribes in 117 AD; and the discovery on 9 October 1866 of a wingless Roman eagle in excavations at Silchester, near Basingstoke.   The lost legion is an enduring legend and exciting unsolved mystery - conjuring up an image of Roman soldiers tramping out from York, only to be swallowed forever by the swirling northern mists and rain. 

The first two chapters are challenging, introducing adult characters and using complex dialogue and descriptions - possibly a reason for the book being described by some as "difficult to get into".  Today's publishers would probably choose to edit out these chapters or move them down the order to become a reflective back story once some serious action has taken place.  But even for those who didn't enjoy them, the rest of the book was ample reward for persevering.

Sutcliff made no concessions to her readers: she expected there to be some familiarity with Latin names and places and with the history and geography of Roman Britain.  Is this evidence of the change in educational focus in the past sixty years - dumbing down, even - with the teaching of history no longer having a linear contextual approach, and most children having little Latin education?  

Although this is a story about two male characters, it was felt to be an enjoyable read for both girls and boys of around Year 8 and upwards - once the problem of getting them to take it down from the library shelves had been overcome.  It was noticeable that the key female character was written from a 1950s perspective: the subservient home-maker/girlfriend/wife, who had no adventures or strong views of her own - despite historical evidence to the contrary about early British women's role in society - and the issue of slavery is dealt with lightly: whilst entirely foreign to us, neither Marcus or Esca had any cause for comment.

Sutcliff was writing about a time of significant upheaval and unrest, when British tribes and the Roman occupiers were colliding and society was fragmenting, with some choosing to stay and build their lives here while others returned home.  According to one reviewer, Marcus is 'a typical Sutcliff hero: a dutiful Roman who is increasingly drawn to the British world of "other scents and sights and sounds; pale and changeful northern skies and the green plover calling'."  We liked him, but we liked Esca better.

In summary: we enjoyed Eagle of the Ninth very much and some of us would like to read more of Sutcliff's work - perhaps The Silver Branch which is the next in the series, or some of her Arthurian legends, or The Queen Elizabeth Story (1950), or Black Ships Before Troy (which was published posthumously in 1993).

Our book for 2 November is Treasure Island by Robert Louis Stephenson (1883): a pirate tale of buried gold, Pew and the black spot, Captain Flint, Ben Gunn and his requests for cheese, Long John Silver - that most enduring of pirates - and the boy Jim.  "Them that die'll be the lucky ones!"