Hans Christian Andersen (1805-1875)

Our tour of Scandinavian authors finished its current round in Denmark with the Fairy Tales of Hans Christian Andersen (1805-1875).

The library staff put special effort into finding full translations of his stories for children, rather than heavily edited versions.

Most of us chose a lightly edited version because it had illustrations by Edward Ardizzone, though the general consensus was that the Penguin/ Puffin Classics editions contained the best translation.

Reading these stories prompted a lot of childhood memories of reading the Ladybird versions of his stories, with their short text and bright illustrations (proving that the narrative pull of his tales was as strong as his elegant turn of phrase). While some readers were defeated by his longer stories, other counted The Snow Queen and the Wild Swans as childhood favourites.

Some of the books were illustrated with Andersen's own beautiful paper-cut art - a talent with which he would entertain people at cosmopolitan literary gatherings, as he never fully mastered the English language.

Andersen's retelling of traditional tales and his own original stories have captivated and inspired people for many generations. It's worth getting your hands on a good translation to read his original descriptive, evocative texts.

Mary Poppins by P L Travers (1934)

Most people probably know about Mary Poppins from the 1964 Disney film starring Julie Andrews and Dick van Dyke. A more recent film, Saving Mr Banks starring Tom Hanks and Emma Thompson highlighted the gulf between the "Disney version" and author PL Travers' vision of the story.

Poet, actress, journalist and author, PL Travers (born Helen Lyndon Goff: 9th August 1899 - 23rd April 1996) had an eventful, often complicated, life.  Born in Australia she emigrated to England in 1924, leaving behind a far-from-idyllic childhood.

Members of the book group all noted the difference between the saccharin Mary Poppins of the Disney movie and the sterner, much vainer Mary Poppins in Travers' books (Mary is for ever admiring her reflection in shop windows), where the children are often reprimanded for mentioning their nanny's magical abilities, and are constantly found wanting in their appearance and behaviour.

Still, there are compensations for her sharp tongue. The children have magical (and sometimes mystical experiences) not normally encountered while walking in the park or visiting friends for afternoon tea.

The episodic nature of the book also appealed to members of the group. Each chapter is almost a self-contained short story ( a structure which influenced Neil Gaiman in writing the Graveyard Book).

If you've only ever seen the film and felt it could do without that extra "spoonful of sugar", it's time to give the original stories a try.

Once and Future Arthurs - Arthurian Literature for Children

Anna Caughey gives a lecture at the Bodleian Library looking at the varying spectrum of literature about King Arthur written for children.

Alf Prøysen and Mrs Pepperpot (1956)

  
Our tour of Scandinavia continued with a trip to Norway and a look at the Mrs Pepperpot books by Alf Prøysen. Mrs Pepperpot is a little old lady who is prone to unexpectedly shrinking to the size of a pepperpot (though in the original she is called Teskjekjerringa - the teaspoon lady). When she is small Mrs Pepperpot can talk to animals, which often help her to escape scrapes and adventures.

Several members of the reading group were familiar with the Mrs Pepperpot books, but none of us had realised the extent of Prøysen's celebrity in his native Norway.  In addition to writing a great many stories, Prøysen was also a folk singer and playwright; a familiar character on Norwegian radio and television.

We all enjoyed our time spent with Mrs Pepperpot and her sometimes grumpy, pancake-guzzling husband. The illustrations by Björn Berg, who also illustrated Astrid Lindgren's Emil books, were an added delight.

Finally, Isabelle drew our attention to the phenomena of  "shrinklit" - books about shrinking and tiny people.  Classics include The Borrowers by Mary Norton, Alice in Wonderland by Lewis Carroll, Tom Thumb and Thumbellina. More recent examples include The Carpet People by Terry Prachett and Toby Alone by Timothée de Fombelle.

Astrid Lindgren

 

Our January meeting explored the work of Astrid Lindgren, deliberately looking at books other than her well-known series about Pippi Longstocking.

Isabelle unearthed some fascinating background on Lindgren's life, in particular her startling decision in 1926 to bring up her first child as a single mother in Stockholm, rather than marrying the child's father and settling for a respectable life in Vimmerby (near where she was born). Lindgren eventually married in 1931 and had a second child. The Astrid Lindgren website has a host of information and excellent photographs, as well as an overview of Lindgren's writing.

Lingren campaigned for human rights and animal rights and her name has been given to and International prize for children's literature: the Astrid Lindgren Memorial Award.

The book group's reading ranged across Lindgren's gentle writing for younger children, including the Emil stories and The Bullerby Children, to the more fantastical Ronia, the Robber's Daughter and The Brothers Lionheart.

 

 

The overall response was very positive, though Pat wasn't quite sure about the tone of The Brothers Lionheart - a philosophical fantasy story about what happens to two brothers after they have died.

Lisa read The Bullerby Children in its German translation. She had this to say about it:

"It’s about 6 children who live in a tiny hamlet and is told from the point of view of Lisa (good name!). She relates the little ups and downs of a secure childhood – how her parents secretly refurbished a room in their house formerly occupied by an elderly relative and presented the results as a birthday present; how she and the two sisters next door devised a messaging system via their bedroom windows; the birthday party; all 6 children playing ball in the street… It is all charmingly told with a delightful atmosphere of contentment and innocence. The children delight in everything from playing harmless tricks on each other to helping the adults harvest beets to earn a little pocket money (which Lisa uses to buy a kitten).

I would be interested to know if anyone has read this book in English and whether it has an English atmosphere about it. The gentleness of the “adventures” convey an atmosphere of German childhood that I have detected in German-authored books – and wonder if it is something that the translator has brought to the text or whether it is something Lindgren managed to convey (it could be a northern European atmosphere of childhood, for example, or be an atmosphere pertaining to a particular era, I don’t know… and I don’t read Swedish, so I can’t compare it with the original version!)"

Having read some of the Bullerby stories they don't feel at all English, so maybe it is a northern European atmosphere that is shared between German and Scandinavian stories. You can read an excellent blog post about the stories and their background here.

Other  group members read and enjoyed Ronia, the Robber's Daughter. I am biased about this book: I bought it from the Puffin Book Club when I was about 8 or 9, and it became one of my favourite books. I read it numerous times and spent ages staring at the cover image, wishing I could be Ronia and have all her adventures in the forest.

 

However, with an impartial opinion, Jenny had this to say:

"I have finished Ronia and thoroughly enjoyed it. I read and re-read the Pippi Longstocking series when I was little and have always seen her as the ultimate feminist icon. She is feisty and independent and not afraid to be herself... I was curious about Ronia but also a bit nervous as to whether she would compare to Pippi. I'm glad to say they are equals!

I found all the characters to be compelling... It was very well paced and packed a lot in... I liked the introspective moments where the characters tried to make sense of their feelings and thoughts. 

The focus on nature and the seasons reminded me of Moominland Midwinter... The way death was dealt with was interesting... Scandinavian children's fiction seems not to shy away from serious issues, even with young children. There is death and danger (the harpies, etc) and we must face them head on, rather than shy away or deny them altogether..."

There are, and have been, whole books to be written on Astrid Lindgren, her life and her works and her influence on Scandinavian society, so I will stop this post here.

Overall, the view of the book group was that Pippi is excellent, but there is more to Astrid Lindgren's work that is worth exploring.

The Ruby in the Smoke by Philip Pullman (1985)

For our December book we turned to a Dickensian story in the form of The Ruby in the Smoke by Philip Pullman.

The first of a series, it tells the story of Sally Lockhart - a young woman whose father has just died and who suddenly finds herself caught up in a mystery involving a ruby and the sins of the British Empire.

Sally is as strong and as capable a female central character as you're likely to meet in a children's book.

Go here to read the opening paragraph, and see how skillfully Pullman hooks in his readers...

The first two books of the series were adapted by the BBC, with The Ruby in the Smoke airing back in 2006. Starring Billie Piper, it also featured a young Matt Smith as Jim.

This book was enjoyed by everyone in the group. Some of us re-read it with pleasure, while new readers found it gripping and moved on to the next books in the the series.  Readers compared the books to Charles Dickens, Anthony Trollope and Arthur Conan Doyle, while Isabelle noted the strong reference to Wilkie Collins' The Moonstone.

Although the plot is deliberately melodramatic and Pullman's lingering teacher's habit of informing his readers about hidden truths and injustices sometimes shows through, he is such an excellent storyteller, and his characters so likable (and despicable) that you can't help being swept along by the narrative.

Perfect fireside reading.

Scandinavian Children's Literature

What the Scandinavians Know about Children's Literature

First broadcast: BBC Radio 4, 26 Mar 2012

Duration:28 minutes
 

From the super-human strength of Pippy Longstocking by Swedish author Astrid Lindgren to the strange Finnish animals dreamt up by Tove Jansson in the Moomin stories, and the anarchic Wild Baby created by Barbro Lindgren and Eva Eriksson, Scandinavian children's literature 'punches above its weight' in terms of worldwide sales.  Why is that, and why does it have a particularly unique voice?

 

It began with probably the best known storyteller for children - Hans Christian Andersen - and continued with the work of Elsa Beskow, the Swedish Beatrix Potter.  It's still alive today in the books of authors like Gro Dahle.

According to Professor Maria Nikolajeva, a senior editor for the Oxford Encyclopaedia of Children's Literature, Scandinavian books are not rooted in the world of fantasy, like other children's stories, but are often grounded in a slightly skewed reality in which the childlike characters exhibit 'magical' talents. She claims that the Scandinavian culture of respect for the child, the history of the region and those long winters have all had a profound effect on the character of its literature.